UNCUT

By Jonathan Harris

Production Notes:
This material is copyrighted.
"Uncut" was originally produced in Seattle, Washington as part of the First Annual Seattle Fringe Theatre Festival.

(A general playing area. To one end is a very large wall. This separates a village from the outside world. The rest of the playing area is an open field. A TOWN CRIER appears with a large scroll. He reads to audience.)

TOWN CRIER

Attention all whose eyes pass o'er this scroll:

Know thee now, since the changing of the land

(Which came upon us quickly, and from God)

That powers of the state are held supreme

And perfect jurisprudence now the reign.

The fate of all is now the one concern

To it the individual must fade

And, therein, serve the greater of the all

This edict served - this edict now obeyed:

 

No longer may one question of another -

No longer may one gather there to whisper -

No longer shall there be a thing of secret -

No longer shall a seal remain unbroken-

Instead, we gather for a proclamation -

Instead, we keep opinion now in silence-

Instead, we hold this law as self-evident -

Instead, we open all our lives to censor.

 

This edict is enforced a certain way,

Lest anyone should doubt its granite word:

On pain of death shall certain edict pay

To any of us who is overheard...

 

(Lights change as Crier crosses to wall and hammers the edict to it. TWO CENSORS enter. They are wearing capes with hoods.)

CENSOR 1

In short, my worthy cousin of the art,

Who never did (before this edict served)

Require more than soul, or will, or heart

To say " t'would serve an artist's rightful place

In rightful honor" - you are oddly wrong.

I, too, once felt that feeling was the place:

That faith and grace in glorified clay

Could take the place of truth.

But, in Art's haste came much gratuity.

CENSOR 2

                               What did you say?

CENSOR 1

My God! You really have to learn to hear!

If we're (that's you and I), if we're supposed

To make it even clearer than it is

To these few souls who've ventured far and wee

To catch a glimpse of life that some call Art,

I really must insist, communication is the key!

CENSOR 2

Far and wee? Far and wee?

My friend, I understand your every word.

You said the artist made a slip in thinking he could push the edges no one had better push in our new society. The Law.

The Law which now demands each self-claimed artist sign a pledge, and take an oath on "pain of death", and blah

de-blah-de-blah. I know The Law. I've seen The Law. I've seen the scarred remains, and smelt the burning flesh of

burning fags, and Jews, and martyrs...

CENSOR 1

                                                        So say some.

CENSOR 2

                                                                                And artists!

Those who made the vain mistake of thinking they were in the hands of thinking men. We have a job.

CENSOR 1

Of much responsibility and place.

CENSOR 2

                                      So say some.

CENSOR 1

And so they do! And so they say! And so they are!

When Justice rules in perfect time

And Man must weigh the balance

T'will take a man of many minds

To estimate his talents.

To cross a line at all today

'Tis wise to only show it

To others who have crossed the line.

Lest otherwise you toe it.

CENSOR 2

"Lest otherwise"? Lest otherwise.

My friend, your coward's showing.

To be afraid to cross the line

Is just the same as toe-ing.

CENSOR 1

Agree to disagree.

CENSOR 2

                            I will.

And so.

CENSOR 1

             Tis done.

CENSOR 2

                              Not quite.

CENSOR 1

 

                                                My God!

CENSOR 2

Our job as Censors make us matched, I think, in how we quarrel.

To serve the perfect balances...

(MUSIC UP from offstage)

CENSOR  1

                                                 What's that?

CENSOR 2

                                                                      It's something choral.

(Censor 1 pulls out a dagger. They raise their hoods and "disappear". THE SINGING SCOUT and THE DANCING SCOUT enter. They are dancing to the music off stage. The Dancing Scout is not very good and steps on The Singing Scout's foot.)

SINGING SCOUT

And off! Get off my foot, you fool, and pray you!

DANCING SCOUT

I pray you, then, my Sir, for Thou art God.

SINGING SCOUT

Then God and God-be-damned, I mean to kill!

DANCING SCOUT

For footfall?

 

SINGING SCOUT

                        Footfall, sir? Nay, Bump, for many!

At least two dozen times in just today!

Why must you so insist upon this marriage?

DANCING SCOUT

A wedding, Sir, not quite unlike a nun,

Is what the idol of the novice needs.

SINGING SCOUT

Then needs, and God, and you, and God be damned

If this "proposal" from your mouth is born.

For killing you is but the first of answers

To get you off my back, and off my corn!

DANCING SCOUT

A point well taken, Lord. Now, feet, don't tarry,

Else our poor souls could go to Hell to marry.

 

(THE NOMADS enter. The two scouts begin to set up an altar Center Stage. The Nomads are made up of: The Whore, The Fool, The Better, The Angry, The Powerful, The Beast, The Positive, The Parturient, The Student, The Newest, He-She, The Lady, The Two Scouts, and The Other One. The general designed look should imply the Ryder deck of tarot cards. The only specifics are: The Lady is wearing a long crimson dress, The Parturient is pregnant and ready to burst, and The Other One, whose face is mostly in shadow, wears rags and seems to be oozing some kind of horrid infection from his or her face.)

 

NOMADS

(singing)

CRAZY HANNAH RIDES THE BUS ALL DAY AROUND THE CITY

SHE WANDERS UP AND DOWN THE HILLS

AND HOPES LIKE HELL SHE SEES A LITTLE PITY

IN THE FACES OF THE LORDS OF WELL TO DO

AS CRAZY HANNAH HOLDS HER OWN ON THE AVENUE

 

HANNAH LIKES TO WEAR A CHRISTMAS RIBBON IN HER HAIR

STEPPING OUT INTO THE MORNING

GOD KNOWS WHAT SHE SAW WHEN SHE PUT IT THERE

TOO MUCH MAKE-UP, TOO MUCH LIGHT INVADE HER TIRED EYES

WHEN IT COMES TO GIVING ALL THE DEVILS THEIR DUE, HANNAH TRIES

 

LIKE THE EARLY MORNING PAPER LITTERING THE STREET

PEOPLE NOTICE CRAZY HANNAH

ONE MORE PLACE TO WATCH WHERE YOU PUT YOUR FEET

UNDERFOOT AND UNDERFED, SHE'S THE BOTTOM LINE

WHEN COMPARED TO HANNAH, BUDDY YOU'RE DOING FINE

 

"GIMME A QUARTER, GIMME A DIME!" CRAZY HANNAH CRIES

"GIMME SOME COMFORT, GIMME SOME TIME!"

ALL DAY LONG SHE SEES THEIR PITY

THIS IS FOOD FOR CRAZY HANNAH, KEEPING HER WELL-FED

MAYBE YOU HAVE SEEN HER EATING HEAVEN'S BREAD

 

CRAZY HANNAH'S CRAZY 'COS CRAZY HANNAH DOESN'T KNOW

EVERYBODY RIDES THE BUS

EVERYBODY WANTS A PLACE TO GO

BUT IN A WORLD WHERE WHATCHA GOT IS WHATCHA SPEND

NO ONE KNOWS THEIR FINAL STOP TILL THEY REACH THE END

(By the end of the number, The Nomads, have set up camp.)

 

THE WHORE

A camp!

 

SCOUTS

              We scout!


(They exit)

 

THE STUDENT

                                   I'11 analyze this place.

THE POWERFUL

This spot's as good as any by my sight.

THE BETTER

I still have not forgot from where we came.

'Twas warm, and brought much soothing in the night.

THE FOOL

Because, perhaps, of evening visitations

Brought to your room for gratis (if not love)

By healthy chambermaids who'd soothe away

Even the most distasteful malady.

" 'Twas warm, and brought much soothing...", I've no doubt.

HE-SHE

I'm warm and may be soothed by gentle hand.

THE BETTER

'Tis not a night so black could black my eye.

HE-SHE

Could black your eye? And will now, by my hand!

THE POSITIVE

I'm tired. Must we quarrel yet again?

This bicker back and forth upsets my head.

For hours now each hour feels like ten.

A snicker here, and there a snipe!

BETTER/HE-SHE

                                                     Drop dead!

THE BETTER

Well then, be bawdy-like, for thou art wench-like.

HE-SHE

Be like a wench?

THE BETTER

                            Unlikely.

 

HE-SHE

                                             Like or no,

Thou shalt not see what answers may await you

In secret sheets where angels pay to go:

'Tis six of one or one half dozen, either

Could warrant you a night you'd not forget!

THE BETTER

But, six of one or one half dozen's either

Too much of both, or not enough of neither.

 

(The Student has found the edict posted on the wall. He hands it to THE ANGRY)

 

THE ANGRY

There's this. How odd. Too strange for common eye.

A reader, please...

THE LADY

                           What have you?

THE ANGRY


                                                        Parchment. Ink.

THE NEWEST

An edict. And a judgement, too. Let's see,

It seems we've come upon a law severe

That will allow no traffic of our voice.

"On pain of death" (they borrow from Shakespeare

To make their point). It seems we have no choice

Except to start undoing what we've done

And find another clearing for our beds.

THE WHORE

I'11 not be moved. I'm settled for the night.

THE PARTURIENT

Just how severe this law?

THE NEWEST

                                       They'll have our heads.

THE ANGRY

For what? Or, do they simply like to kill?

THE NEWEST

It paints this place a most unwelcome home

To any who would banter or express

Whatever thought they have or call their own,

Or any secret longing would confess.

THE POWERFUL

Absurdity! No people can exist

Within such bound'ries. Nature won't be ruled!

THE NEWEST

Regardless, here I  hold it.

THE PARTURIENT

                                          This is cruel.

The very thought or picture of a thing

So simply stated, coldly, and accepted

Is but the work a nightmare-witch would bring

To unsuspecting children as they rested.

Too cruel. Too cold. Too quickly uninvited.

And this is law?

THE NEWEST

                      It is.

THE POSITIVE

                              And I'm delighted!

Perhaps my wit escapes me in the reading

But, paraphrase it still, I will attempt:

It speaks of how this new world now is needing

Restraint, and, thus, repression of all thought.

This village here, or, possibly this land,

Believes it serves a multitude of Gods

By censoring itself upon command.

Whether they are commanding it or not.

THE LADY

And this delights you?

THE POSITIVE

                                  Yes.

THE FOOL

                                          That needs explaining.

THE PARTURIENT

I think I know!

NOMADS

                       UNCUT!

THE POSITIVE

                                      The word is yours.

THE PARTURIENT

Now, stop me if I'm wrong...

THE POSITIVE

                                          I wouldn't dare it.

To cut you when you make the point is censor.

THE PARTURIENT

Then off I go to try to make it clear:

In fact, this edict makes the point itself

For here we are, content, or near contented

With how we live our lives; unfettered, free;

And make a point to always speak our minds.

In fact, we speak in faith, it's how we live,

And is, for me at least, the only way

To truly understand what God can give,

Through what another one of us will say.

In speaking without censor we have found

A clear communication with the truth.

HE-SHE

How sweet, and often frightful, is the sound

When subtle wisdom joins with trusting youth.

THE PARTURIENT

But, still, in truth, for Truth is what we seek;

We never cut another's right to speak,

For, in so doing, power is make meek,

And strength is made most impotent and weak.

THE POWERFUL

Yes. This we know. We always use God's tongue

By stopping not our own. Now, to the point...

THE PARTURIENT

The point, my dear reflection, is in hand:

This edict is more challenge than command.

THE STUDENT

I understand! It's more than giving service

To what we all agree on as a whole.

To bypass-leave this town is much akin

To preaching to a twice-converted soul.

THE ANGRY

So, shall we spend the night in town or not?

THE BETTER

My vote is to return to last night's home.

THE POWERFUL

Yes, yes, we all know strongly how you rested

In last night's bosomed comfort, now molested.

THE LADY

I vote we stay right here and spend the night.

THE POWERFUL

A vote! We stay? We go? We enter in?

(They vote to remain where they are for the night)

And so we rest. And think of where we've been.

(The Nomads start making beds, etc.)

 

CENSOR 1

I'11 shed no tear for their departed souls.

CENSOR 2

Theirs souls are not departing as of yet.

CENSOR 1

You twist the word. My meaning is quite clear.

They'll not survive the night when night is gone.

CENSOR 2

They're out of town, and out of view for now.

CENSOR 1

For now, you say...

 

(The Nomads suddenly stand and, in unison, start facing the four corners of the earth)

 

                                 ...what business now is on?

 

(A soft rhythmic clapping, a musical tone is found communally. As they sing, they each place a personal item on the altar where a flashlight is on and facing up.)

NOMADS

LOOK, THE COMING CHANGE

TOUCH SURROUNDING STRANGENESS

HEAR A ROLLING THUNDER COMING FROM DOWN UNDER

LOOK, A COMING CHANGE

 

WHAT IS IN THE AIR?

THERE'S NO WHY OR WHEREFORE

CALL IT A FEELING SENDING OUR HEARTS REELING

WHAT IS IN THE AIR?

 

IT'S TIME - PEOPLE REALIZE ALL THAT'S ALL AROUND YOU

HIGH TIME - PEOPLE RECOGNIZE WHAT YOU'VE BECOME

BUT MAN HAS A TENDENCY SPENDING DAYS

IN EASY FLIGHTS OF RAPTURE, FLIGHTS OF FANCY,

HE WON'T CAPTURE WHAT HE CAN'T SEE

 

THERE, IT IS BEGUN

SHARE THE RACE WE'RE RUNNING

CARE ABOUT YOUR BROTHER - BE ONE FOR THE OTHER

THEN IT IS BEGUN

THEN IT IS BEGUN

THEN IT IS BEGUN

CENSOR 1

And still they choose to stay despite the warning.

Which makes it crystal clear to all who hear.

I wager you, they will not see the morning

Should they not change their course to higher gear.

CENSOR2

How base, my friend. You constantly surprise me

It matters not to them this threat we feel.

Their vision and their purpose now outspoken

Will only fuel the fire, turn the wheel.

Our job is but dependant on one thing:

That being;  how we reckon with the mob.

CENSOR 1

And you suggest?

CENSOR 2

                           More stated than suggested:

That both of us must work to keep our job.

CENSOR 1

Why can't you speak it plain? My God, the arts!

So vague, and most unpleasant in response.

Your head's a rattle, empty now of seeds,

Still shouting hollow messages and wants.

CENSOR 1

In serving what we must, I only try

To analyze the situation here.

And, also, make what's ugly to the eye

Seem somewhat less unpleasant to the ear

If this offends apologies are offered.

CENSOR 1

I only want to know your mind.

CENSOR 2

                                                  Not so.

To know each others mind will only falter

The checks and balances required of us.

You think what I may know but haven't said,

I say with words what words are in your head.

And there we find relationship to serve

What we are told to serve, with double-eye.

CENSOR 1

And so, my second vision, what, behold,

Should we do now with what is now before?

This filthy band of God Knows What is bold

And, therefore, banned, illegal. Nothing more.

CENSOR 2

They serve no threat.

CENSOR 1

                                  No threat!

CENSOR 2

                                                   Outside of town.

CENSOR 1

But, two departed hence and soon return.

CENSOR 2

Well, then, upon arrival and return

We wait to hear them, listen, and to learn.

CENSOR 1

We spy.

CENSOR 2

               We listen. Hiding voice and face.

In serving secret, too, we serve our place.

(The Scouts are heard off)

CENSOR 1

And here they now return.

SCOUTS

                                      What ho!

CENSOR 2

                                                       There's timing.

(The Scouts are very animated on their return. They appear frightened.)

 

THE FOOL

You look like two skinned buzzards pantomiming.

SINGING SCOUT

It's odd.

DANCING SCOUT

            I tell you.

SINGING SCOUT

                           Awful.

DANCING SCOUT

                                      Most obscene.

SINGING SCOUT

Indecent.

DANCING SCOUT

              Frightful.

SINGING SCOUT

                            Terrible.

DANCING SCOUT

                                         Unclean.

SINGING SCOUT

The eyes!

DANCING SCOUT

                 Those empty eyes!

SINGING SCOUT

                                              They speak, but stutter

As if they've never seen!

DANCING SCOUT

                                      It makes you shudder.

CENSOR 2

I know this look they've seen and know it frightful,

And wither at the telling.

CENSOR 1

(Looking at CENSOR 2 closely)

                                    Most insightful.

SINGING SCOUT

And yet, they smile...

DANCING SCOUT

                             Their teeth are good, at least.

But in the eye is where you find the beast.

THE WHORE

They speak?

SINGING SCOUT

                   No, not at all.

THE WHORE

                                         No single word?

SINGING SCOUT

"Excuse me" and the like, but nothing more.

DANCING SCOUT

And trying to engage a person's thought

Would find you empty handed like as not.

SINGING SCOUT

We had one conversation with a man

Who stood within a garden by the road,

He was the first we came upon in town

And, so, we asked for water from his hose.

DANCING SCOUT

He held it firmly, weapon-like, like so...

SINGING SCOUT

Then oddly stared, and answered with: "What hose?"

DANCING SCOUT

At first we thought it rude, or odd, at best,

But, that's before we went and met the rest.

SINGING SCOUT

The entire town is walking in its' sleep.

DANCING SCOUT

Or hypnotized.

SINGING SCOUT

                      Or empty in the head.

DANCING SCOUT

Or on some kind of drug that goes too deep.

SINGING SCOUT

Or in a coma...

DANCING SCOUT

                       Shock, perhaps...

SINGING SCOUT

                                                ...or dead!

HE-SHE

This place gives me the creeps, shall we move on?

'Tis hardly fair to foist our views upon them.

THE OTHER ONE

AND CUT!

                  'Tis hardly fair to foist our view"?

That's nonsense. "Foist our view"? I mean to speak:

And seizing now my tongue, and Heaven's too,

Submit that here your fear does motivate.

We have a Way. A Way we know the way of.

We see it's logic, sense it's power, too.

Give witness to its method everyday.

(A day which time before gave naught but hell

On top of hell, and no way out could see.)

This rescued me. This spoken word of soul,

Whose tongue was rotted black from lack of word,

And heals me, too, by exercising faith

Where faith of faith before could not be heard.

So, do not tempt to blemish what is dear

With something so innocuous as fear.

THE FOOL

There's fear of this and fear of that

From sea to shining sea...

But fear to me is being near

Someone who's feared of me. BOO!

THE POWERFUL

We have your vote down solid.

HE-SHE

                                                Vote to stay.

THE LADY

But, to what end?

THE WHORE

To spread the word!

THE NEWEST

To share it!

THE STUDENT

Make a movement!

THE POSITIVE

Make a friend.

THE BEAST

I need more facts before I vote to stay.

About this town: all deaf and dumb, you say?

DANCING SCOUT

Not deaF, nor none too dumb, but, uninspired.

They walk around, and nod, and work, and eat.

And everywhere this edict posted up

And everywhere it's followed out of fear.

Innocuous or not, it's everywhere.

THE FOOL

My voice says this is not a stranger's town.

But, we are all familiar, are we not?

'Tis not by chance we happened to this spot,

This spot completely different from our hearts.

We're here to teach, and learn, or try, at least,

These people are in misery, it sounds,

And if we keep our heads about us now,

Perhaps we'll learn a thing from things new-found.

THE ANGRY

This thing we'll learn to do is lose our heads.

Then try to speak soliloquy or rhyme.

THE NEWEST

I'd pack my bags were I alone and one.

But, now, I'm more, and more of me there is.

I vote with ruling vote: majority.

Would this group part there'd be the less of me.

THE POSITIVE

My God, a play!

THE BETTER

                          A what?

THE ANGRY

                                       My God!

THE POSITIVE

                                                       A play!

We'll do a play and show 'em what we've got!

===============================================================================

THIS WORK HAS BEEN DIVIDED INTO
TWO FILES.  THE PLAY IS CONTINUED IN
UNCUT, PART TWO.

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